Now We Are Pope
Frederick Rolfe in Venice
Produced
2014



Frederick Rolfe (pronounced "Roaf") was born in Cheapside, London in July 1860 and died in Venice in October 1913. At the age of twenty-five, he converted to Roman Catholicism and dedicated himself to the priesthood. The Church, however, did not open its arms to Rolfe's eccentric nature, twice expelling him from the seminary, including a memorable occasion in Rome in May 1890, when he was thrown bodily out of the Scots College in Rome, together with the mattress on which he was lying.



Rolfe was a difficult man, who refused to accept charity yet spent his life cadging money and hospitality from others; a man who spent his life looking for the Divine Friend but was never happier than when he was making enemies; a man who never gave up his ambition to be a priest and remained celibate for twenty years as his eyes continued to be drawn to handsome young men; a man who in early life changed his name to suit his circumstances, even styling himself a noble - Baron Corvo - in his late twenties.



Rolfe's last five years were spent in Venice, where he swung between relative comfort and abject poverty, at times reduced to starvation and sleeping outdoors. Yet despite the privations, about which he complained bitterly, it was perhaps the happiest period in his life. He had his own pupparin (a kind of gondola), which he navigated around the city and to neighbouring islands, and was a member of the Bucintoro rowing club. He continued writing, both books and correspondence and maintained lively disputes with most of the expatriate
Now We Are Pope; Frederick Rolfe in Venice, by Martin Foreman

"insightful performance" "wonderfully believable character"
Everything Theatre


"provides an example of that rare, exhilarating sort of Fringe theatre which has assumed added value as historical research or literary criticism"
Tychy


other reviews
Edinburgh Festival Fringe
18 - 23 August 2014
Etcetera Theatre, 8 - 13 July 2014
The London Theatre, 18 - 23 March 2014


playscript
community he came across. Above all, he developed friendships - and more - with the teenage youths who made their living as casual labourers on the docks or as gondoliers.


Rolfe considered himself primarily a painter until a dispute with a priest left him without artists' materials. Although novels and letters and newspaper articles and works of history and more poured from his pen, he considered writing a "loathsome occupation". Today, much of what he wrote is out of print, apart from one undisputed masterpiece; in the novel Hadrian VII, an Englishman, George Arthur Rose, who has been denied the priesthood for twenty years, is suddenly given the cloth and made Pope. As with several of his other books, Hadrian VII is wish-fulfilment, with many of the characters acerbic portraits of real people that Rolfe had met and fallen out with. Unlike those books, however, Hadrian VII is deeper and its portrayal of Rose is the most honest, and for that reason, the most sympathetic, of Rolfe's self-portraits.


Now We Are Pope



Now We Are Pope takes place on the last day of Rolfe's life, in his room in the Palazzo Marcello in Venice. It combines elements of the writer's own life with incidents from Hadrian VII and other of his works. As a result, much of the play consists of quotations from his letters and novels. The script of the play, together with copious notes giving the background to many of the events in Rolfe's life, was published by Arbery Books in 2015.



The idea for the play was suggested by the actor Christopher Annus as a companion piece to Martin Foreman's Tadzio Speaks . . . . In that short play Tadzio, the beautiful youth in the classic story Death in Venice, returns to the city decades after the death of Aschenbach and relives the fateful summer in which the two formed a silent relationship. Now We Are Pope has also been performed with Martin's Angel, about a priest torn between his sexuality and his faith.
Wanted
Edinburgh-based
Assistant Director(s)
& Stage Manager(s)
for Fringe 2018

details
Ben Jonson's Volpone adapted by Martin Foreman



All Edinburgh Theatre


Playscript of the new adaptation
of the classic comedy, with
Mosca and Corbaccia now women


This production company has signed up to the Protecting Actors Fringe Charter, helping to ensure all cast and crew involved operate under safe and fair working conditions.
Protecting Actors : SHIELD:9899













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